From Abandoned Mosque to Uzbek Craft Haven: Nada Debs' Stunning Transformation (2026)

The transformation of the Okhun Gozar Mosque in Tashkent, Uzbekistan, by Lebanese designer Nada Debs is a testament to the power of architectural preservation and contemporary design. This project is not just about converting an abandoned building into a craft centre; it's about breathing new life into a historic space while honouring its cultural significance. Debs' approach is a delicate balance between preserving the mosque's original charm and creating a space that feels modern and relevant. What makes this particularly fascinating is how Debs has managed to blend traditional Uzbek craftsmanship with contemporary design principles, creating a space that is both visually stunning and culturally rich. From the intricate wood carvings to the subtle use of traditional plasterwork, every detail has been carefully considered to create a mood that draws from the spirit of the Silk Road. Personally, I think this project is a brilliant example of how architecture can be used to tell a story. The mosque's history as a social hub for the community is reflected in the design, with the space now serving as a place for cultural continuity and community engagement. The goal of the space, as Debs explains, was to create a mood that draws from the spirit of the Silk Road, and this is achieved through the use of material warmth and the highlighting of the rhythm of the cupolas. What many people don't realize is that the project is not just about the aesthetics; it's also about the preservation of traditional crafts. The inclusion of custom furniture and design elements created using traditional methods reflects Debs' ongoing commitment to combining craft and contemporary design. From her Beirut studio, Debs leads a team working on projects ranging from product and furniture design to one-off commissions spanning art, craft, fashion, and interiors. This project is a testament to the power of design to preserve and celebrate cultural heritage. The use of local materials, such as Gazgan marble, and the restoration of traditional Uzbek plasterwork, ensures that the space feels authentic and rooted in its local context. The project also raises a deeper question about the role of architecture in society. By converting an abandoned building into a craft centre, Debs has created a space that is not only visually appealing but also socially and culturally significant. The space now serves as a place for community engagement, educational events, and exhibitions, extending the mosque's original role as a social hub. In my opinion, this project is a brilliant example of how design can be used to create spaces that are both beautiful and functional, while also preserving and celebrating cultural heritage. The use of traditional crafts and materials, combined with contemporary design principles, creates a space that is both timeless and relevant. The project also highlights the importance of preserving historical architecture, and how this can be achieved in a way that is both respectful and innovative. From my perspective, this project is a shining example of how design can be used to create spaces that are not only visually stunning but also socially and culturally significant. The transformation of the Okhun Gozar Mosque is a testament to the power of architectural preservation and contemporary design, and it serves as an inspiration for designers and architects around the world.

From Abandoned Mosque to Uzbek Craft Haven: Nada Debs' Stunning Transformation (2026)
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